Aaron Haspel – Page 15 – God of the Machine

Aaron Haspel

Aug 092003
 

Cryptographic revolutionary Alan Bruzzi writes:

I was wondering where my reading level program would fit into cryptography. It takes a sentence out of a book, and computes its reading age. For example, John 3:16, spoken by Jesus Christ, would give a reading age of 33, because that’s when He died. Also, my program computes the age of the Virgin Mary, when she got married, to be 14. It’s an incredible program, but I just can’t figure out where it would be classifed under cryptography, because it converts a whole ASCII sentence into a single value, which would be the person’s age. Please help…

Dear Alan:

It is unfortunate that cryptography is already perfect, pending quantum computing, which offers a theoretical attack on RSA via Shor’s Algorithm, for this sounds like a remarkable program indeed. John 3:16 computes to 33, you say. John 3:17 through 21, also spoken by Jesus, also compute to 33, I assume. The entire Sermon on the Mount? Let me guess: 33. The number of words in the Rolling Rock legend? 33. I assume that computing marrying age, as in your example of the Virgin Mary, is a simple matter of a command-line switch.

Your program will shed light on many important historical questions. No one has been certain how old Homer was when he died or if he lived at all — until now, when we can feed a few lines of The Iliad (Pope’s translation, or Lang’s, or Butler’s, or Fitzgerald’s, I’m sure it doesn’t matter) into the computer, and voilà. If Homer should turn out to fictional, or an amalgamation of authors, will the program return zero, or an error code?

I have a few questions. Does your program require an English translation, or will other languages, say Greek or Aramaic for John 3:16, work equally well? For living authors, does it return their current age, or the age at which they can be expected to expire? Most important, do you reboot your computer by turning it upside down and shaking it until the screen goes gray?

In my professional opinion your program is unclassifiable. It is unique in the history of the cryptography, and I look forward to reviewing the source code.

I remain at your service.

Aug 062003
 

The first anthropological survey of Objectivism was Jerome Tuccille’s It Usually Begins With Ayn Rand. This, so far as I know, is the second, and a good deal of field work has gone into it. Some of my best friends are Objectivists, and most of the others are recovering Objectivists. I’ve been to Objectivist boot camp, twice, and met most of the high-ranking clerisy at one time or another.

Objectivism attracts a disproportionate number of Jews, to put it mildly. The original Objectivists were the group, including Alan Greenspan, that gathered around Ayn Rand while she was writing Atlas Shrugged. They called themselves “The Collective” (a term fraught with too many layers of irony for me to parse in a single paragraph), and every last one was Jewish. A WASP Objectivist friend of mine once asked Michael Berliner, the chairman of the Ayn Rand Institute, how many non-Jewish Objectivists there were. “Only you,” Berliner said.

It is also surprisingly popular with homosexuals, despite Objectivism’s at best ambivalent attitude toward homosexuality. The Internet is lousy with gay Objectivist and Rand-influenced blogs. It makes sense if you think about it. Jews and homosexuals are rootless and persecuted minorites who are logically attracted to tradition-busting philosophies. Objectivism is one; communism, in which they are also prominently represented, is another. The role of the Jews in the International Communist Conspiracy is well-known, and we oughtn’t to forget that three of the Cambridge Four — McLean, Burgess, and Blount — were homosexual.

Objectivists exhibit an odd cognitive dissonance about drugs — not their legalization, of course, but their use. The majority opposes them vigorously, on the grounds that man must be in full focus as often as possible and that drugs are a form of “blank-out.” But there is a good-sized pro-dope faction as well, although they usually know enough to keep quiet about it. Even Dagny Taggart and John Galt imbibed on occasion, illicit drugs are human inventions after all, and if we can improve on our natural state, well, why not? Several Objectivists of my acquaintance used to drop Ecstasy together every weekend. They had all carefully worked out their “Randian” rationalizations, of which “psychic lube job” was the briefest.

My predecessor Tuccille has many of the other details right. The early Objectivists, as he points out, did an awful lot of smoking, including almost every one of The Collective. After all, Ayn Rand smoked herself (from a holder, natch), as do all the heroes in Atlas Shrugged: the enduring symbol of Galt’s Gulch is the cigarettes stamped with the dollar sign. And Tuccille’s anecdote about Murray Rothbard and his unregenerate Catholic wife is true to the spirit of The Collective if not, perhaps, the fact:

Well, if Murray Rothbard’s wife was a Christian there could only be one logical explanation for it: she had obviously never read Ayn Rand’s proof that a Supreme Being does not, will not, and could not exist. Ever.

[Nathaniel] Branden hustled her into an adjoining room and sat her down at a desk with a handful of Rand’s anti-God essays. Joey, relieved to be out of earshot of all this talk of second-handers and floating concepts, pored over the pamphlets while the meeting continued in the other room. When she completed her assignment and returned to the gathering, the drone of conversation suddenly stopped and she found herself skewered by twenty pairs of drilling eyes.

Branden took the initiative. “Well?”

“I found it all very interesting, Nathan.”

“She found it very interezting.” Branden repeated the information to the others at no extra charge. “Anything elze?”

“The arguments are very good, but I’m still not an atheist if that’s what you’re getting at.”

Rand decided to take over. This was unquestionably a matter that demanded her personal intervention. “You haf read ze proofs?”

“They’re all very good and thought-provoking, Ayn. But you don’t shake a lifetime of religious faith with a few articles. I’ll have to think about it for a while.”

“You haf read ze proofs and you ztill inzist on wallowing in your mindless myztizizm? Faith is irrational which means…”

“Which means zat faith is immoral,” said Branden.

“Which means it is anti-life,” said [Leonard] Peikoff.

“Which means it is anti-man,” said [Robert] Hessen.

“Which means it is anti…anti…” said Barbara Branden, searching for a suitable phrase.

Zose z’s in Branden’s speech are not typos either. Yes, Nathaniel Branden, Canadian-born, went so far as to affect a Russian accent. Anyone who doubts it can hear the evidence on the tapes of his early lectures at the modestly-named Nathaniel Branden Institute. Tuccille notes elsewhere that Rothbard probably fell away from Objectivism because he was tired of hearing his name pronounced “Rossbot.”

Still, It Usually Begins With Ayn Rand is over thirty and shows its age. The Rachmaninoff-loving all-black-dressing dollar-sign-pin-wearing chain-smoking Objectivist of the mid-60s has gone the way of the dodo. There is no longer one type of Objectivist, if there ever was. In fact there are four.1

1. Protractor. Protractor couldn’t care less about Ayn Rand the novelist, but Ayn Rand the philosopher drives him crazy. He can’t beat the arguments and is too honest to ignore them. Objectivism faintly embarrasses Protractor, like his Songs from the Wood CD, but not so much that he won’t adopt the philosophy or listen to the album. Protractor is second only to Bully-Boy in his familiarity with the Objectivist ouevre, which he picks over constantly in an effort to find something, anything, that he can quarrel with.

Protractor likes science; he is often a computer programmer. Only Protractor, because of his unfortunate habit of actually listening to arguments, can be converted to Objectivism as an adult. He has no role models among the Objectivist clerisy, but he does admire Mr. Spock.

2. Bully-Boy. Bully-Boy read The Fountainhead at twelve and mastered the finer points of the Objectivist epistemology by the time he was old enough for high school. To establish his bona fides, Bully-Boy will hasten to assure you that he doesn’t agree with everything that Miss Rand said. A popular point of contention is her article arguing that no woman should be President of the United States because no self-respecting woman would want to be President of the United States. See? I disagree with that. I’m no slavish follower!

Bully-Boy proselytizes tirelessly, but only with Protractor does he get anywhere. His habits are solitary, largely because no one can stand him. His best friend, if he has one, is Twitchy, never another of his own kind. Often he will serve as consulting ideologist to a school of Sense-of-Life Guys.

Bully-Boy aspires to join the clerisy, among whom his favorites include Nathaniel “The Most Rational Man on Earth”2 Branden (pre-1968 only), Leonard “I’m Not the Pope”3 Peikoff, and Harry “I’m More Randian Than Miss Rand”4 Binswanger.

3. Sense-of-Life Guy. It’s all good for Sense-of-Life Guy, who finds in Ayn Rand an echo of his own child-like wonder at the marvels of the universe. His favorite Rand novel, being the shortest, is Anthem, and he has never quite managed to read Galt’s speech all through despite several desultory attempts. Sense-of-Life may not be much for literature but he is very fond of pictures, in which his taste runs to Maxfield Parrish and airy-fairy British academic stuff like Lord Leighton and Alma-Tadema. He often paints himself, with predictable results.

Sense-of-Life Guy is the most gregarious of all Objectivists, and is often, though by no means always, an enthusiastic advocate of Better Living Through Chemistry. Sense-of-Life Guy has no role models among the Objectivist clerisy, of whose very existence he is only dimly aware.

4. Twitchy. Twitchy has one overwhelming appetite that he hopes Objectivism, which seems to have all the answers, will either justify or cure. Sometimes it is for religion (“you haf read ze proofs?”), sometimes for drugs, sometimes for homosexual sex. He scours the Objectivist literature on his specialty, in which he is a match in learning even for Bully-Boy. A gay Twitchy once argued to me that it is “irrational” to choose a sex partner on the basis of gender because “one’s gender is not a moral choice.” Call me old-fashioned, but I prefer “got a light?”

Twitchy’s role model among the clerisy is David “Truth and Toleration” Kelley, ex-communicated for maintaining that it’s OK to argue with Marxists and Kantians. Twitchy always smokes. Wouldn’t you?

And now you’ll have to excuse me. I have a sudden strange hankering to listen to Songs from the Wood.

1Men only. Objectivist women, in my experience, are perfectly normal.
2Rand’s description (pre-1968 only).
3I only act like him.
4Self-described.

(Update: Michael Blowhard comments. Mg comments. Uruloki comments.)

Aug 032003
 

No posts of “crystalline beauty” (–Greg Hlatky, who must be making some kind of chemistry joke) seem to be materializing. Try these instead.

Evan Kirchhoff rips Andrew Sullivan a new, er, one, on the subject of “gay bears.” Have I mentioned that Evan Kirchhoff is a genius? Why yes. Yes I have.

Floyd McWilliams, the scourge of the San Jose Mercury News letters page, on fact checking for me but not for thee.

Eve Tushnet, discussing Marvel comics, gets around to the purpose of literature, in her scattered but endearing way. I will post some thoughts on this, my stomping grounds, when I locate my crystalline-beauty-tron again.

Modern education: what is to be done? Friedrich von Blowhard reaches some dubious conclusions but provides a lot of great history along the way.

Christopher DeRosa on why no one evaluates Derek Jeter rationally, except him.

Jerome du Bois on art-sadist Santiago Sierra. It is lengthy, but if you read only one, read this one. (Via Andrea Harris.)

Aug 022003
 

Poor Thomas Nashe. He is credited with one of the most famous lines in English poetry, and he never wrote it.

From Summer’s Last Will and Testament

Adieu, farewell earth’s bliss,
This world uncertain is;
Fond are life’s lustful joys,
Death proves them all but toys,
None from his darts can fly.
I am sick, I must die.
Lord, have mercy on us!

Rich men, trust not in wealth,
Gold cannot buy you health;
Physic himself must fade,
All things to end are made.
The plague full swift goes by.
I am sick, I must die.
Lord, have mercy on us!

Beauty is but a flower
Which wrinkes will devour;
Brightness falls from the air,
Queens have died young and fair,
Dust hath closed Helen’s eye.
I am sick, I must die.
Lord, have mercy on us!

Strength stoops unto the grave,
Worms feed on Hector brave,
Swords may not fight with fate,
Earth still holds ope her gate.
Come! come! the bells do cry.
I am sick, I must die.
Lord, have mercy on us!

Wit with his wantonness
Tasteth death’s bitterness;
Hell’s executioner
Hath no ears for to hear
What vain art can reply.
I am sick, I must die.
Lord, have mercy on us!

Haste, therefore, each degree
To welcome destiny.
Heaven is our heritage,
Earth but a player’s stage;
Mount we unto the sky.
I am sick, I must die.
Lord, have mercy on us!

Metrically the poem is brilliant. It is nominally in iambic trimeter, but Nashe produces a dirge-like movement by beginning most lines with a trochee, which emphasizes the line breaks. The repeated double trochees that conclude each stanza give the unmistakable impression of death bells tolling, and for thee.

It is also extremely unfashionable. Its grim theme of the inevitable procession to the grave will not resonate with the modern reader, who expects to live forever. Gold buys a lot more health now than it did in 1600, the plague full swift stopped going by in Western countries about a hundred years ago, and there is a good deal that can be done about wrinkles nowadays. The consolation of the afterlife Nashe offers in the last stanza will not persuade many today; indeed Nashe himself seems unconvinced. (He did haste to his welcome destiny nonetheless: like many other Elizabethan poets, including his posse, Christopher Marlowe and Robert Greene, Nashe lived fast and died young.)

The poem’s structure is also alien. It is syllogistic, with an argument that might have been taken, as J.V. Cunningham points out, wholesale from Aquinas:

They are such propositions as might have been translated from the Summa Contra Gentiles of Thomas Aquinas, and they are located in that general tradition. St. Thomas, for instance, discusses the following questions: That human happiness does not consist in carnal pleasures; that man’s happiness does not consist in glory; that man’s happiness does not consist in worldly power; that man’s happiness does not consist in the practice of art; that ultimate happiness is not in this life, “for if there is ultimate happiness in this life, it will certainly be lost, at least by death.” But these are the propositions of Nashe’s lyric, some literally, some more figuratively put.

The Elizabethans often wrote syllogistic poems — Marvell’s To His Coy Mistress and Ralegh’s The Lie come to mind. Moderns never do. The best modern poems proceed associationally, by coherence of feeling rather than coherence of argument. One may doubt whether this is an advance.

Notwithstanding all of this, Nashe’s poem is famous for the line “Brightness falls from the air.” It’s evocative, it’s ambiguous, it’s thoroughly modern. In Portrait of the Artist Stephen Dedalus has a page-long meditation on the line, which he first misremembers, characteristically, as “Darkness falls from the air.” T.S. Eliot dilated on it. At a less exalted level, James Tiptree and Jay McInerney borrowed it to title their novels, and astronomers are very fond of it.

Trouble is, the line makes no sense in context. All of the other metaphors in the poem are homely and literal. Nashe’s 20th century editor, McKerrow, writes, with a practically audible sigh: “It is to be hoped that Nashe meant ‘ayre,’ but I cannot help strongly suspecting that the true meaning is ‘hayre,’ which gives a more obvious, but far inferior, sense.” What is obvious, once you read this, is that “Brightness falls from the hair” is the correct reading. It is literal, sensible, and on the same order as the rest of the poem. It’s not modern, but neither was Nashe.

Should the line be corrected in future anthologies? Too late; the question is irrelevant. The poem will survive in its current form no matter what Nashe intended. The great literary critic John Ford had the last word on the subject: “When the legend becomes fact, print the legend.”

(Update: Glenn Frazier comments. Eve Tushnet posits Philip Larkin as a modern who proceeds logically, not associationally. I don’t quite agree, but I will write about Larkin soon at some length and will take this up then. Terry Teachout points out that Constant Lambert set this poem to music.)

Jul 312003
 

“In the adversity of our best friends we always find something that is not displeasing,” La Rochefoucauld wrote in 1665, identifying Schadenfreude — “joy in adversity,” an almost literal translation of his aphorism — for the first time, although more general strictures against envy date back to the Ten Commandments and beyond.

The word, however, is inexact. Imagine one of your friends coming down with a terminal illness, or having a miscarriage, or being hit on the street by a falling piano. There certainly exist some people who are envious enough to wish, or bring, such catastrophes on others. Helmut Schoeck gives several grisly examples in his magisterial book Envy, like the German nanny who pushed a pram off a pier, drowning her charge because, according to her own account, she couldn’t bear the fact that she was childless. But I retain enough residual faith in human nature to doubt that the emotion is general, or even common.

It is failure, not mere bad luck, that universally gladdens the human heart. I have a friend who is a prolific and hopeless writer. Secretly I root for him to fail: his success would be further discouraging evidence of the inability of the world to distinguish bad writing from good. If he were a better writer I am sure I would root for him to succeed. I am rooting not for failure but for justice: the fact that my friend is involved is immaterial. Would I rather he fail then improve? Probably. Which is the ignoble part. Similarly, Michael Blowhard (yes, it’s all Blowhard all the time over here) marvels, with an unseemly touch of glee, in the improved attitude of waiters and store clerks in the wake of the dot.com crash. Mostly I think he just wants better service.

Schadenfreude runs especially high among professional colleagues, the best judges of what their fellows do and don’t deserve. On Wall Street hearts leapt when John Meriwether’s Long-Term Capital Management busted — and sank again when the government bailed them out. Other hedge fund managers rooted against Meriwether because he had been claiming to make 40% returns for years on virtually riskless bond arbitrage, which is impossible. In fact he had been gambling. To make 40% per annum you have to leave certain risks unhedged, and LTCM happened to be hugely exposed to the risk that a government would default on its own bonds. The Russians did so, and ka-boom. Now Meriwether was widely envied, among other things for being the hero of Michael Lewis’s Liar’s Poker. (In the famous scene from the book, Salomon chairman John Gutfreund proposes a game of liar’s poker for a million dollars. Meriwether counteroffers a game for ten million, and Gutfreund folds.) But so far as I could tell, the Wall Street celebrations, though tinged with green, were mostly for his chickens finally coming home to roost. The feeling seemed to be that it was just that he finally went broke.

If we must import from the German, then, I propose Fehlschlagenfreude, or “joy in failure.” It would be more accurate, if less euphonious.

(Update: Craig Henry comments.)

Jul 312003
 

How do two arty Manhattan types like Michael Blowhard and me amuse ourselves when shorn of the wives for an evening? We go see Bad Boys 2, what else?

One can admire the movie, at a safe distance from the theater, for its systematic assault on the critical faculties. It ranges in volume from deafening to ear-bleeding, noise being well understood to interfere with thinking. The director, Michael Bay, a Simpson-Bruckheimer protegé, Michael helpfully informed me — who could have guessed? — favors a garish palette. Miami, once a pastel paradise, has apparently become the City of Primary Colors. Bay also sees to it that of every ten lines of dialogue (and never more than five at a time) at least one is a catch-phrase along the lines of “let’s roll” or “go! go! go!” or “bring the noise.” The villain is a Cuban Ecstasy dealer. Being Cuban, he is of course supplying Castro with drug money. For a touch of realism, we are treated to a gratuitous scene of a youth “overdosing” on Ecstasy; the gutters of Manhattan are littered with Ex casualties, I’m telling you.

In the first five minutes Bay burns a cross and shoots a few Klansmen. Then he blows some shit up, crashes a bunch of cars (and a boat), blows more shit up, crashes a bunch more cars, blows more shit up, dices up a Russian mobster, plows a jeep through a shantytown (miraculously killing no one), and blows still more shit up. The interludes, though short, are long enough to make you eager to see more shit blown up. Spoiler: at the end a whole lot of really big shit gets blown up.

Afterwards Michael and I killed a couple bottles of Israeli Sauvignon Blanc (obviously we were still addled) and settled several pressing questions. First, fifty people blog about politics for every one who blogs about culture not because people are more interested in politics than culture, but because, in a sense, they are less interested: one’s taste is a little too personal. There is also a well-established vocabulary for political writing; not for art. Second, Reason magazine has really started to suck since Gillespie took over. Third, great as Human Action is, the von Mises book for everyone is The Anti-Capitalistic Mentality. And finally, the best writer in the blogosphere is not the vastly overrated Lileks, who can do quite a bit with nothing on his mind and usually does, not the equally underrated Alice Bachini, not Evan Kirchhoff, although he’s coming up fast on the outside and has been awesome of late, and certainly not Michael or me. It’s Colby Cosh. That this man is unemployed is as stunning a tribute to the impenetrable stupidity of big media as I can possibly imagine.

(Update: Colby Cosh is understandably embarrassed. And no, the National Post, excellent though it is, doesn’t count as Big Media down here. David Artemiw comments. George Wallace comments. Alice Bachini comments, inimitably.)

Jul 292003
 

You might be a junk scientist if:

You prophesy disaster in some remote future. It is safest to choose a date in the long run, when we’re all dead, but even the less judicious have little to worry about: by the time D-Day rolls around people will have forgotten what you said. If someone does happen to remember, you can either issue a new report revising your predictions, or, as a last gasp, maintain that you were right in general, even as your every specific prediction has been falsified. Or both.

You deal in poorly-understood, multi-causal phenomena, traditional playgrounds for the scientific crank. Cancer and climatology are especially popular.

You have trouble with extrapolation, like Ralph Hingson of the Boston University School of Health, who concluded that college drinking causes 1,400 deaths annually, by taking the total number of alcohol-related deaths among people 18-24 and multiplying by, uh, the percentage of them in college. (Note that this is supposed to establish that college drinking is especially dangerous.) Social science: it’s easy!

You are famous for work outside your field, like Paul Ehrlich, a bug man best-known for speculation on overpopulation and global cooling (yes, cooling); Barry Commoner, the cancer-biologist-cum-nuclear-testing-authority-cum-geneticist; Rachel Carson, an expert on chemicals by virtue of her master’s in marine biology; and Stephen Jay Gould, another genetics authority, trained in paleontology. The press, notwithstanding, can be relied on to refer to you as “Dr.,” “Ph.D.,” or “distinguished scientist.”

You do a lot of testifying for plaintiffs in class-action suits. Extra credit if this is how you make your living.

Jul 262003
 

Dear Aaron,

I am hoping you can answer a quick poetry question for me. In the following poem by John Updike, what do you think “blither” means?

TO A WELL-CONNECTED MOUSE
(Upon reading of the genetic closeness of mice and men.)

Wee, sleekit, cow’rin, tim’rous beastie,
Braw science says that at the leastie
We share full ninety-nine per cent
O’ genes, where’ere the odd ane went.

O nibblin’, pink-tail’d, bright-ee’d sir,
We hail frae ane sma’ fearful blur
‘Neath dinorsaur feet, lang syne-
Na mair be pestie, cousin mine.

Stay oot my larder, oot my traps
An’ they’ll snap softer doon, p’rhaps,
For theft and murther blither go
When a’s i’ th’ family, bro’ and bro’.

Thank you,
Amy Greenwood

Dear Amy,

Updike is imitating Robert Burns here, so first I go to the Scots dictionary to find that “braw” is Scots for “fine.” This helps me understand the poem but does not answer your question. “Blither” is not a Scots word, but it is an English word, with two meanings. Usually it is a verb, but as a verb it makes no sense in the poem. It is also a comparative adjective, meaning “more blithe,” and this second sense clears the matter up. The last two lines mean: “theft (by the mouse) and murder (by the poet) are cheerier affairs when they’re kept in the family.” Unfortunately “blither,” following “murther” directly, sounds far more natural with a short than a long i, which compounds the difficulty.

There is a similar problem in one of Emily Dickinson’s poems, “Farther in summer than the birds,” which has a line beginning “Antiquest felt at noon.” She means “more antique,” but many, many readers have read the word as “anti-quest.”

Pedantically yours,

Jul 262003
 

“To generalize is to be an idiot,” William Blake famously generalized. Blake has sympathizers at Crooked Timber, where Brian Weatherson and Henry Farrell, rake Randy Barnett over the coals for his j’accuse to “the Left,” which has apparently been “living a lie,” en masse, and now more than ever:

Since the 2000 election, however, I have begun to realize for the first time that the Left really and truly lives in a socially constructed world — a world where “truth” is their own construction. In their world:

Al Gore was elected president. Bush was selected. The Supreme Court “decided the election” (rather than reversed a rogue Southern state Supreme Court and restore the rulings of local, mainly democratic [sic], election officials). Bush is in the pocket of the oil companies. Dick Cheney really runs the country. Bush’s energy plan would destroy the Arctic National Wildlife Refuge.

I could go on and on. These are not disagreements about “values” or ends, but disagreements about facts. Once you notice this phenomenon, you see it everywhere. Now the Left is lying about Bush to make him appear to be a liar because they cannot catch him in any actual lies.

Henry, in reply, takes a meta-approach:

Big Dumb Generalizations like Barnett’s have two dead give-aways. First of all, they talk in grand terms about the Left (or the Right) as if it were some sort of groupthink monolith, where all speak for one, and one speaks for all. This rhetorical trick allows them to take some fringe notion advanced by an Indymedia crackpot as incontrovertible evidence that everyone to the left of Barry Goldwater is living on Pluto. Second, as Kieran [Healy] makes clear, their tendentious generalizations are usually reversible so that its trivially easy to swap around the good Right and the bad Left. For example, a leftie could just as easily write an agitprop article about how the Right was living in a dream world in which the administration hadnt made false claims about Iraqs nukes and al Qaeda links, Bush had won a majority of the popular vote, John Lott had real figures to prove that more guns equal less violence, &c &c.

Henry first objects to “Big Dumb Generalizations.” Barnett’s is Big, certainly; Dumb, possibly, although neither Henry nor Brian deigns to say why; but mostly the trouble seems to be that it’s a Generalization. The objection is to generalization as such. One wonders exactly what kind of generalizations, if any, about “the Left” and “liberals,” or “conservatives” and “the Right” for that matter, Brian and Henry would consider valid.

If I were to claim that the Left supports more business regulation than the Right, I would seem to be on solid ground. Yet Marx, for one, vigorously opposed business regulation, which he thought would meliorate the harsh effects of laissez-faire, lull the proletariat into false consciousness, and postpone the glorious day of the socialist revolution. Have I, too, entered the Land of the Big Dumb Generalization?

And yes, such generalizations, like playground taunts, are reversible, in the I’m-rubber-and-you’re-glue sense. It does not follow, however, that their reverse is equally true. Randy says that “the Left” claims that Gore was elected and Bush was selected. You can quibble over how much of the Left is implied in “the Left,” but anyone who reads blog comments knows that some of the left claims exactly that. But if a leftie, by Henry’s hypothesis, wrote a mirror-article in which he claimed that “the Right” believes that Bush had won a majority of the popular vote, he would be laughed at, because no one, to my knowledge, has ever said any such thing.

Barnett has a real argument, which Brian and Henry do not bother to extract, that runs as follows: Leftists are apter to believe in “socially constructed” reality. (This much strikes me as obvious. Of course not all leftists believe in “social construction,” but everyone who does is a leftist.) People who believe that all reality is “constructed” are apter to construct their own. QED.

One could answer by claiming that few people on the left believe Barnett’s litany; this, alas, requires recourse to grubby facts. Or one could answer that “Left” and “Right” are essentially meaningless terms and ought to be retired, the way Jacques Barzun tried to retire “classic,” “romantic,” and “modern.” I’d sympathize with either approach. But to object to a generalization on the grounds that it’s a generalization — what are you guys trying to do, put us bloggers out of business?

Jul 242003
 

Public art usually manages to offend my aesthetic and political sensibilities at once. (My God, that’s hideous. And I paid for it!) But there are exceptions. A long, heavily-trafficked corridor in the Times Square subway station has eight metal signs nailed to the rafters, about fifty feet apart. If you happen to look up, instead of staring straight ahead as people are wont to do in subway stations, you will read the following, a line at a time:

Overslept,
So tired.
If late,
Get fired.
Why bother?
Why the pain?
Just go home,
Do it again.

I would be tempted to call this subversive if the word had not been spoiled. In any case it’s more entertaining than having Christo wrap Central Park, and a hell of a lot cheaper.